Rev. James D. Conley, D.D., S.T.L. | Diocese of Lincoln website

The significance of music in religious services is a topic explored through the lens of Catholic traditions, particularly during Mass. Historically, singing has been integral to prayer and community across societies and ages. This tradition can be traced back to King David, the Jewish people, and Jesus Christ himself.

The Second Vatican Council emphasized the importance of music within the liturgy, advocating for active participation in singing the Mass. "Of first importance are the prayers and responses between the priest and people," as highlighted by Church teachings. The council also underscored that this communal singing should express "union in spirit by means of the unity of their voices" (GIRM 86).

Pope Leo XIV's election marked a significant moment for the Church's musical journey during this Jubilee Year of Hope. His Masses have prominently featured music, with initiatives like "Let’s Sing with the Pope," a video series teaching Latin responses and prayers. The aim is to foster global unity through shared musical experiences.

In local contexts, such as Masses led by Bishop James Conley at the Cathedral of the Risen Christ, similar chants as those used by Pope Leo XIV are sung. These practices reflect a universal connection among worshippers worldwide through diverse languages and instruments.

Pope Leo XIV's Pentecost homily articulated a vision where "the harmony brought about by the Spirit" resolves differences akin to "the confusion of Babylon." Sacred choral music remains central to Catholic celebrations, upholding its value as decreed by Vatican II (Musicam Sacram 20). Music in liturgy is likened to a tree with deep roots supporting new growth—a metaphor for tradition supporting modern expression.

Recent ordination Masses showcased newly composed works like “Totus Tuus” by Father Evan Winter and “Bread of Angels” by Dr. John Kosch. Their compositions draw inspiration from St. John Paul II and St. Thomas Aquinas respectively, symbolizing continuity between past traditions and contemporary creativity.

On December 12th, Bishop Conley will lead another significant event featuring Frank La Rocca’s “Mass of the Americas.” Celebrated on Our Lady of Guadalupe’s feast day at Cathedral of the Risen Christ, it will include diverse elements like Nahuatl language—spoken originally by Our Lady to Juan Diego—alongside Spanish, Latin, organ music, marimba, and violin.

La Rocca’s work reflects Our Lady's message: “I am truly your merciful Mother,” emphasizing inclusivity across cultures while maintaining sacred traditions. Dr. Richard Carrillo will direct this performance; his doctoral focus on this Mass underscores its cultural resonance.

Music has always unified individuals in shared worship experiences throughout history and continues to do so today within Church life as members partake together musically under spiritual guidance towards transformation.

Join us on December 12th at 7 p.m., at Cathedral of Risen Christ for an experience merging languages like Nahuatl with instruments such as organ or marimba—and pray alongside Our Lady that we may find harmony through Holy Spirit guidance amidst diversity.